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As Heard on TV: Reconsidering the Use of Recorded Music in Television Commercials
Unformatted Document Text:  Works Cited Arnold, Gina. Route 666: On the Road to Nirvana. New York: St. Martin’s Press, 1992. Baumann, Shyon. “Intellectualization and art world development: film in the United States.” American Sociological Review 66/3 (2001): 404-426. Becker, Howard. Art Worlds. Berkeley: U of California P, 1982. Bogart, Michelle H. Artists, Advertising, and the Borders of Art. Chicago: The U of Chicago P, 1995. Bourdieu, Pierre. Distinction: A Social Critique of the Judgement of Taste. Cambridge: Harvard UP, 1984. Carroll, John. “Not Your Average Walkman.” Daily Pennsylvanian 26 February 2004.< http://www.dailypennsylvanian.com/vnews/display.v/ART/403dbab262577?in_archive =1 >. Caves, Richard E. Creative Industries: Contracts between Art and Commerce. Cambridge, MA: Harvard UP, 2000. Densmore, John. “Should the Doors Sell Out?” Rolling Stone 26 December 2003: 44-45. Farber, Jim. “Exposure at All Costs: ‘Edgy’ Musicians Reap the Rewards of TV as Tie- ins.” Daily News (New York) 7 January 2001: 12. Frith, Simon. Sound Effects. New York: Pantheon, 1981. Gans, Herbert J. Popular Culture and High Culture: An Analysis and Evaluation of Taste. Revised and updated ed. New York: Basic Books, 1999. Grazian, David. Blue Chicago: The Search for Authenticity in Urban Blues Clubs. Chicago: The U of Chicago P, 2003. Grossberg, Lawrence. We Gotta Get Out of This Place: Popular Conservatism and Postmodern Culture. New York: Routledge, 1992. ---. “Is There a Fan in the House?: The Affective Sensibility of Fandom.” The Adoring Audience: Fan Culture and Popular Media. Ed. Lisa A. Lewis. London:Routledge, 1992. 50-65. Hanson, Ivor. “Rock for Rock’s Sake Is No Longer Enough. The New York Times 5 December 1999: 4/18.

Authors: Klein, Bethany.
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Works Cited
Arnold, Gina. Route 666: On the Road to Nirvana. New York: St. Martin’s Press, 1992.
Baumann, Shyon. “Intellectualization and art world development: film in the United
States.” American Sociological Review 66/3 (2001): 404-426.
Becker, Howard. Art Worlds. Berkeley: U of California P, 1982.
Bogart, Michelle H. Artists, Advertising, and the Borders of Art. Chicago: The U of
Chicago P, 1995.
Bourdieu, Pierre. Distinction: A Social Critique of the Judgement of Taste. Cambridge:
Harvard UP, 1984.
Carroll, John. “Not Your Average Walkman.” Daily Pennsylvanian 26 February 2004.
<
http://www.dailypennsylvanian.com/vnews/display.v/ART/403dbab262577?in_archive
=1
>.
Caves, Richard E. Creative Industries: Contracts between Art and Commerce.
Cambridge, MA: Harvard UP, 2000.
Densmore, John. “Should the Doors Sell Out?” Rolling Stone 26 December 2003: 44-45.
Farber, Jim. “Exposure at All Costs: ‘Edgy’ Musicians Reap the Rewards of TV as Tie-
ins.” Daily News (New York) 7 January 2001: 12.
Frith, Simon. Sound Effects. New York: Pantheon, 1981.
Gans, Herbert J. Popular Culture and High Culture: An Analysis and Evaluation of
Taste. Revised and updated ed. New York: Basic Books, 1999.
Grazian, David. Blue Chicago: The Search for Authenticity in Urban Blues Clubs.
Chicago: The U of Chicago P, 2003.
Grossberg, Lawrence. We Gotta Get Out of This Place: Popular Conservatism and
Postmodern Culture. New York: Routledge, 1992.
---. “Is There a Fan in the House?: The Affective Sensibility of Fandom.” The Adoring
Audience: Fan Culture and Popular Media. Ed. Lisa A. Lewis. London:
Routledge, 1992. 50-65.
Hanson, Ivor. “Rock for Rock’s Sake Is No Longer Enough. The New York Times 5
December 1999: 4/18.


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