The Interactive Online Romance Community: Contests and 'Covers Gone Wild'
The “Smart Bitches Who Love Trashy Novels (SBTB)” site is “[a] website that reviews romance
novels from a couple of smart bitches who will always give it to you straight. No bullshit. No gushing—
unless the author really deserves it.” Through the comments to the blog, it has developed into a popular
site with its own approach to the romance community. This has led to two speech events that rely heavily
on the romance genre: contests to gain “titles” and “covers gone wild.” More than the opportunity to
comment on how romance novels are reviewed, these two events provide ways for both the bloggers and
visitors to the site to comment on and create a humorous, participatory romance culture.
Romance reading is highly popular, even today. According to a market research study by the
Romance Writers of America (2005), 54.9% of paperbacks sold in 2004 were romance novels. They also
were the highest group of all fiction sold at 39.3%. When describing those who read romances, 64.6
million Americans claimed to have read at least one romance over the past year, and 22% of those who
read romances were male. Yet there is surprisingly little research about this demographic.
The current study seeks to examine not the act of romance reading, but rather the discourse
surrounding those who read and the manner in which the romance genre factors into their discourse.
Moving away from the typical feminist approach to the topic, it focuses on the more general activities
that have become a major part of the site. Using ethnography of communication (Hymes, 1972) adapted
slightly to fit the asynchronous online environment, two speech events will be explored through the posts,
comments, and additional commentary gained through interviews with participants of one site that
focuses on romance: SBTB. These two events, the contests and “covers gone wild” mentioned
previously, will be examined in order to answer the following question: how do members of an online
romance community interact with one another? The answer has implications for understanding of the
community, its relation to the romance genre, and possibly more general forms of online interaction.
Background