Author's Keywords: commemorative public art, publicness, utopian, critical, New York City, the World Trade Center	Convention Convention is an application service for managing large or small academic conferences, annual meetings, and other types of events! Submission - Custom fields, multiple submission types, tracks, audio visual, multiple upload formats, automatic conversion to pdf. Review - Peer Review, Bulk reviewer assignment, bulk emails, ranking, z-score statistics, and multiple worksheets! Reports - Many standard and custom reports generated while you wait. Print programs with participant indexes, event grids, and more! Scheduling - Flexible and convenient grid scheduling within rooms and buildings. Conflict checking and advanced filtering. Communication - Bulk email tools to help your administrators send reminders and responses. Use form letters, a message center, and much more! Management - Search tools, duplicate people management, editing tools, submission transfers, many tools to manage a variety of conference management headaches! Click here for more information.
Association: Name: International Communication Association URL: http://www.icahdq.org
Citation: URL: http://www.allacademic.com/meta/p112079_index.html Direct Link: HTML Code:

DeRose, Justin. and Haskins, Ekaterina. "Making Collective Memory Visible in Public Space: Reflections on the Commemoration of 9/11 in New York City" Paper presented at the annual meeting of the International Communication Association, Marriott Hotel, San Diego, CA, May 27, 2003 <Not Available>. 2009-05-26 <http://www.allacademic.com/meta/p112079_index.html>

DeRose, J. and Haskins, E. V. , 2003-05-27 "Making Collective Memory Visible in Public Space: Reflections on the Commemoration of 9/11 in New York City" Paper presented at the annual meeting of the International Communication Association, Marriott Hotel, San Diego, CA Online <.PDF>. 2009-05-26 from http://www.allacademic.com/meta/p112079_index.html

Publication Type: Conference Paper/Unpublished Manuscript Review Method: Peer Reviewed Abstract: Rebuilding the site now commonly known as Ground Zero has become a battle over "images and lost opportunities" as much as about "material form" (Boyer 120). This paper argues that the symbolic success or failure of a future memorial to 9/11 will be determined largely by how well its design embodies the qualities of a "public space" and by how adroitly it negotiates the utopian and critical aspects of public art. Because the design of a permanent memorial at Ground Zero is a culmination, rather than a beginning, of the work of collective memory that commenced on September 11, we insist on examining the different stages of commemoration leading to it--from makeshift tokens of grief and mourning to museum exhibits--to illustrate the quality of publicness and to assess the balance between utopia and critique in the commemorative public art.

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Virtual Collaboration in Physical Spaces: Working with Communities to Design Public Spaces in Boston