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"The Guilt Thing": Balancing Individual Needs and Domestic Social Roles
Unformatted Document Text:  6 Fig 1 Conversational Moves notated in transcripts CEo - critical evaluation of other CEs - critical evaluation of self CSC - discursive claim of social capital through domestic roles SE - offering substantiating evidence to back CSC SCm - support of others claim [to good mothering] GSM - general support move TI - topic Initiation TS - topic shift RI - request for further information PST - personal story telling SMA - supportive matching account CMA - competitive matching account FTAp - potential face-threatening act FTAc - face-threatening act (through challenge) The protective mother The school playground provides a social setting where the most salient identity is that of ‘the good mother’. The mothers in the schoolyard rarely discuss their working roles, therefore, within this context, the mother's professional identities can be seen as functioning as backstage roles while their role as ‘mother’ becomes a frontstage performance. Extract 1. 1 Jenny: so I said Jon I know you're frightened to go out in the field 2 you go out an I'll watch you (.) I'll stand there (.) an I 3 thought this is ridiculous an I stood behind the fence an (.) and

Authors: Guendouzi, Jacqueline.
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6
Fig 1 Conversational Moves notated in transcripts
CEo
- critical evaluation of other
CEs
-
critical evaluation of self
CSC
- discursive claim of social capital through domestic roles
SE
- offering substantiating evidence to back CSC
SCm
- support of others claim [to good mothering]
GSM
- general support move
TI
-
topic Initiation
TS
- topic shift
RI
- request for further information
PST
- personal story telling
SMA
- supportive matching account
CMA
- competitive matching account
FTAp
- potential face-threatening act
FTAc
-
face-threatening act (through challenge)
The protective mother
The school playground provides a social setting where the most salient identity is
that of ‘the good mother’. The mothers in the schoolyard rarely discuss their working
roles, therefore, within this context, the mother's professional identities can be seen as
functioning as backstage roles while their role as ‘mother’ becomes a frontstage
performance.
Extract 1.
1
Jenny: so I said Jon I know you're frightened to go out in the field
2
you go out an I'll watch you (.) I'll stand there (.) an I
3
thought this is ridiculous an I stood behind the fence an (.) and


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