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Spatial discourses in film and social production of urban space: A study of American films with urban, rural, and suburban motifs 1929-1950 |
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Abstract:
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The paper represents a synthesis of my thesis that examines the linkages between on the one hand, urban transformations and socio-political crises, and on the other, discourses and visions of the city in American films from the 1920s to the late 1940s. I studied urban planning discourses and interventions of the period of study, and analyzed over 30 films in detail (and reference 20 additional related works) by looking at changes in three critical spatial motifs: the New York City skyline, rural-urban contrasts, and public vs. private spaces in films set in suburban environments. I argue that endorsements and critiques in the 1920s of the machine age city are replaced in the films of the 1930s and the 1940s by complex tropes of urban ambivalence. By looking at changing visions of the built environment in film, my study uncovers ambivalent and tension-wrought cultural discourse of simultaneous adulation and condemnation of the metropolis in this critical historical period that preceded suburbanization and urban renewal. |
Most Common Document Word Stems:
urban (206), film (150), citi (122), vision (100), social (86), new (81), space (74), period (58), york (57), studi (56), narrat (55), represent (53), cinemat (52), also (48), american (47), modern (47), cultur (46), noir (45), d (44), spatial (42), 1940s (41), |
Author's Keywords:
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American cinema, visions of the city in film in the 1930s and 1940s, Lefebvre |
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Association:
Name: American Sociological Association URL: http://www.asanet.org
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Citation:
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MLA Citation:
| Filipcevic, Vojislava. "Spatial discourses in film and social production of urban space: A study of American films with urban, rural, and suburban motifs 1929-1950" Paper presented at the annual meeting of the American Sociological Association, TBA, New York, New York City, Aug 11, 2007 <Not Available>. 2009-05-24 <http://www.allacademic.com/meta/p185227_index.html> |
APA Citation:
| Filipcevic, V. , 2007-08-11 "Spatial discourses in film and social production of urban space: A study of American films with urban, rural, and suburban motifs 1929-1950" Paper presented at the annual meeting of the American Sociological Association, TBA, New York, New York City Online <PDF>. 2009-05-24 from http://www.allacademic.com/meta/p185227_index.html |
Publication Type: Conference Paper/Unpublished Manuscript Abstract: The paper represents a synthesis of my thesis that examines the linkages between on the one hand, urban transformations and socio-political crises, and on the other, discourses and visions of the city in American films from the 1920s to the late 1940s. I studied urban planning discourses and interventions of the period of study, and analyzed over 30 films in detail (and reference 20 additional related works) by looking at changes in three critical spatial motifs: the New York City skyline, rural-urban contrasts, and public vs. private spaces in films set in suburban environments. I argue that endorsements and critiques in the 1920s of the machine age city are replaced in the films of the 1930s and the 1940s by complex tropes of urban ambivalence. By looking at changing visions of the built environment in film, my study uncovers ambivalent and tension-wrought cultural discourse of simultaneous adulation and condemnation of the metropolis in this critical historical period that preceded suburbanization and urban renewal. |
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| Document Type: |
PDF |
| Page count: |
20 |
| Word count: |
12279 |
| Text sample: |
| ASA 2007 paper proposal Vojislava Filipcevic vf38@columbia.edu Spatial discourses in film and social production of urban space: A study of American films with urban rural and suburban motifs 1929-1950 This paper represents a synthesis of my thesis of the relationships between visions representations and discourses about the American metropolis in film and urban transformations and economic and political crises since the late 1920s to the end of the 1940s. Cinema along with radio and the press was the most |
| and synthetic ways unearth and illuminate new unexpected and also admittedly in part conflicting and not easily comparable dynamics of American urban life. The three spatial motifs studied critiqued or at least resonated with urban transformations and discourses of the city; in turn these visions shaped cultural discourses about the American metropolis in the period of study and influenced the contemporary urban imaginary. 89 Given that to an extent the suburban narratives in question more overtly play with social |
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