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Association: Name: International Communication Association URL: http://www.icahdq.org
Citation: URL: http://www.allacademic.com/meta/p232933_index.html Direct Link: HTML Code:

Marsh, Charity. "Reluctant Warrior(s)?: Reflections on Indigenity, Gender, and Technology in Canadian Hip Hop" Paper presented at the annual meeting of the International Communication Association, TBA, Montreal, Quebec, Canada, <Not Available>. 2009-05-23 <http://www.allacademic.com/meta/p232933_index.html>

Marsh, C. "Reluctant Warrior(s)?: Reflections on Indigenity, Gender, and Technology in Canadian Hip Hop" Paper presented at the annual meeting of the International Communication Association, TBA, Montreal, Quebec, Canada <Not Available>. 2009-05-23 from http://www.allacademic.com/meta/p232933_index.html

Publication Type: Session Paper Abstract: Canadian hip-hop artists, Eekwol and Kinnie Star reflect on the ties between identity, responsibility, and music in the following statements. According to Eekwol, “My goal is to get more girls feeling comfortable doing music, and being a part of hip-hop, and being proud to be a woman, and proud to be Indigenous.” And Kinnie Star states, “It's my responsibility, as a musician, as a woman, and as a half breed, to be as honest as I can be because my dad couldn’t.” Both artists position themselves as racialized and gendered subjects within a music culture and industry that leaves little room for certain forms of difference. In this paper I interrogate the concept of difference in the music of Eekwol and Kinnie Starr, paying particular attention to questions of belonging and community.

Linking STEM and Communication Technology Research: A Research Agenda for Technology and Gender Equality

Sounds of Sickness: Audio-Technology Diseases and the Gendered Technological Subject

Examining Men's Studies, or: Reflections on a Gender Division in Gender Studies

Using technology to promote reflective discourse: Combining dynamically connected representations with video reflection.