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Association: Name: NCA 94th Annual Convention URL: http://www.natcom.org
Citation: URL: http://www.allacademic.com/meta/p257439_index.html Direct Link: HTML Code:

Scholz, T. M. Linda. "The Co-optation of 'The Third World Female Subject': Sting and U2 Dis(Empower) Female Relatives of Latin American 'Desaparecidos' in U. S. American Popular Music" Paper presented at the annual meeting of the NCA 94th Annual Convention, TBA, San Diego, CA, <Not Available>. 2009-10-27 <http://www.allacademic.com/meta/p257439_index.html>

Scholz, T. "The Co-optation of 'The Third World Female Subject': Sting and U2 Dis(Empower) Female Relatives of Latin American 'Desaparecidos' in U. S. American Popular Music" Paper presented at the annual meeting of the NCA 94th Annual Convention, TBA, San Diego, CA <Not Available>. 2009-10-27 from http://www.allacademic.com/meta/p257439_index.html

Publication Type: Invited Paper Abstract: This essay draws on Chandra Talpade Mohanty’s critique of the “third world female” as a frame to guide the analysis of U.S. popular music. Specifically, this essay explores how song lyrics and videos written by Sting and U2, although attempting to “give voice” to the female relatives of the disappeared in Latin America, instead perpetuate the notion of the “third world female subject.” The perpetuation of the “third world female subject” is apparent through the lyrics and images that function to dis(empower) Latin American women. When juxtaposed with representations of Latin American women themselves, the dis(empowering) lyrics and images become even more apparent.

Rhetorical Imagining through Popular Music: Communicating World Views in Toby Keith’s “Angry American”

World-Wide Symphony: The Role of Popular Music in American Foreign Policy