Publication Type: Conference Paper/Unpublished Manuscript
Abstract: This essay is a theoretical exploration of the intersection of Queer Theory and Organizational Theory as they confront heteronormativity. Given the importance of organizations, particularly corporate organizations, in structuring social life and given the sites of intervention explored in Queer Theory, this essay initiates a much needed conversation between these two bodies of theory. Using a heuristic framework of Queer World making based on three strategies--worlds revealed, worlds a-part, and worlds among--the essay explores the intersections and gaps of these two bodies of theory. Through this framework the essay explores how diverse and even seemingly contradictory strategies of queer world making create a complex and constantly shifting formation of resistance to heteronormativty.

Publication Type: Conference Paper/Unpublished Manuscript
Abstract: How is homoerotic or same-sex desire between women represented visually and aurally in public culture? How is queer female desire constructed through the arts when it is located within specific cultural contexts? Is it possible to ‘read’ queer female desire against compulsory heteronormative associations of sexual identity through the contributions of women artists locally and globally? If so, could these sites serve as links between queer female identity and a transnational Queer Diaspora for the purposes of political action?

Publication Type: Conference Paper/Unpublished Manuscript
Abstract: An episode of the series Queer Eye for the Straight Guy featuring a transsexual man served to queer a series which had largely positioned the term "queer" within the stable identity category of “white gay man.” The author delineates four themes which distinguish this episode from the rest of the series by foregrounding aspects of queer identity not present in the remainder of the Queer Eye episodes.

Publication Type: Conference Paper/Unpublished Manuscript
Abstract: Beginning with Lee Edelman’s No Future: Queer Theory and the Death Drive, this paper proposes an alternative to identity-based political action. Edelman’s call for queers to turn away from the socio-political sphere in favor of embracing the structural negative has captivated the attention of many interested in processes of social change that avoid the exclusions inherent in identity logic. With no program for action, however, Edelman’s call has been labeled impossible. In response, this paper offers sadomasochistic performance artist, Ron Athey, as an example of a queer agent involved in a rather innovative form of performance activism.

Publication Type: Conference Paper/Unpublished Manuscript